The exhibition at the Deichtorhallen Hamburg and the accompanying program of musical events at the Elbphilharmonie, HYPER! SOUNDS, include more than 60 international artists and musicians who explicitly work between the disciplines of art and music and – often unnoticed by the broader public – decisively integrate references from both these areas into their art. Superstars from the worlds of art and music such as Andreas Gursky, Kim Gordon, Alexander Kluge, Rosemarie Trockel and Wolfgang Tillmans will be featured alongside avantgardists such as Arthur Jafa, Thomas Scheibitz, Peter Saville and Arto Lindsay. The exhibition is narratively underpinned by dozens of interviews that Max Dax conducted with the participants in HYPER! in recent years.
The exhibition HYPER! will offer a wide range of experiences with over 300 works, including paintings, drawings, photographs, sculptures and installations that deal with music within visual art, as well as numerous hybrid multimedia works that show the reciprocal relationships between music, video, and visual art.
Modern classics such as Peter Saville’s famous dysfunctional giant billboard promoting New Order’s album Technique and Emil Schult’s paintings, which formed the basis for the cover of Kraftwerk’s 1974 album Autobahn, will be presented alongside stunning 3D video installations such as Cyprien Gaillard’s Nightlife (2015) and Britta Thie’s unsettlingly functional Powerbank>7i>sculptures.
The influence of Richard Wagner on the work of the performance artist Christoph Schlingensief, who died in 2010, will be shown as well as Alexander Kluge’s video commentary to that. Works by Daniel Richter, Sarah Morris, and Bettina Scholz illustrate different ways that music can influence painting, while photographs by Andrea Stappert, Sven Marquardt, and Richard Prince, and video works by Mark Leckey, K Foundation, Nora Lawrenz, and Bettina Pousttchi expand the exhibition into documentary and multimedia.
In addition to the exhibition, Albert Oehlen, Rosemarie Trockel together with Thea Djordjadze, and Hans Ulrich Obrist will present concerts in the Elbphilharmonie under the title HYPER! SOUNDS featuring Arto Lindsay, Daniel Blumberg, Kristof Schreuf, Den Sorte Skole, GAS, and Kreidler, among others.
HYPER! will open on 28 February 2019 with a concert by Freiwillige Selbstkontrolle (F.S.K.) under the theme “A pile of shit and a smashed piano,” in which the rock music tradition of destroying electric guitars on stage will be combined with the Fluxus practice of destroying pianos. Further concerts and performances take place in the Deichtorhallen: Performing artists are Asmus Tietchens, André Vida, Henning Strassburger & the Blasorchester of the Junges Ensemble Berlin as well as Martha Argerich in cooperation with the Symphoniker Hamburg.
Artists: Daniel Blumberg / Cosima von Bonin / Rutherford Chang / Phil Collins / Catherine Christer / Hennix / Kevin Cummins / Den Sorte Skole / Marcel Dettmann / Thea Djordjadze / FSK /
Cyprien Gaillard / GAS / Isa Genzken / Kim Gordon / Juro Grau / Andreas Gursky / Arthur Jafa / Sven-Åke Johansson / Scott King / K Foundation / Peter Knoch / Kreidler / Nora Lawrenz / Mark Leckey / Julien Lescoeur / Arto Lindsay / Luci Lux / Sven Marquardt / Michaela Melián / Radenko Milak / Sarah Morris / Wolfgang Müller & Tabea Blumenschein / Olaf Nicolai / Albert Oehlen / Palais Schaumburg / Steven Parrino / Bettina Pousttchi / Richard Prince
/ Friederike von Rauch / Daniel Richter / Thomas Ruff / Peter Saville / Thomas Scheibitz / Christoph Schlingensief & Alexander Kluge & Richard Wagner / Bettina Scholz / Kristof Schreuf / Emil Schult / Andrea Stappert / Henning Strassburger / Britta Thie / Wolfgang Tillmans / Philip Topolovac / Rosemarie Trockel / André Vida / Wolfgang Voigt / Mason Williams / Lena Willikens & Sarah Szczesny / Rolf Zander & Asmus Tietchens